A CAPTCHA (IPA: /?kæpt??/) is a type of challenge-response test used in computing to determine that the response is not generated by a computer. The process involves one computer (a server) asking a user to complete a simple test which the computer is able to generate and grade. Because other computers are unable to solve the CAPTCHA, any user entering a correct solution is presumed to be human. A common type of CAPTCHA requires that the user type the letters of a distorted image, sometimes with the addition of an obscured sequence of letters or digits that appears on the screen.
Those things piss me off. I fail them far too often. If I were a character in a Philip K. Dick story it would be the first sign I'm not actually human, as I believe I am, but either an automaton, simulacrum, or a figment of my own or someone else's imagination. I'm pretty sure I'm not a character in a book but can't rule out the other four.
main room: multi core bong ra & mc mike redman [special ‘10 years of bong ra’ set - live] fff [mindbender/planet mu - live] - bristol debut! autopsy [audio damage/deathchant - live] - bristol debut! putsch [no fixed abode - full av live show] - bristol debut! randomoidz [adverse camber - live] bashout allstars [resident badmen] --- upstairs: bass abuse warlock [rag'n'bone] 3d!t [coin operated - live] - bristol debut! arsequake [the blast] stylatron [fire] davey t [dissident] p.r.a.n.k. dancehall clearout --- back room: the bashout lectures audio and visual edutainment, special dj sets, powerpoint displays & more... Lineup TBC (Gusset, Various Bashouteers & More...)
The Gusset Bashout Lecture:
The Matrix: The Pantomime
Abstract: From folk stories and fairy tales to science-fiction and fantasy, western literature has always used metaphor and simile as devices to put across an idea or philosophic argument removed from the prejudices that may otherwise surround it. This lecture will analyse “The Matrix” series of films from the perspective of a traditional British pantomime to draw parallels between the mediums and demonstrate how this abomination of poor story telling, worse acting, and designed-to-date special effects could be better enjoyed with cross-dressing, smut and audience interaction. 'Where’s Agent Smith?' 'He’s behind you!'
I guess this is a meme in the original sense of the word. It shows how an idea has started in one place and been built on, developed and evolved by others. Traditionalists would call it a conversation.
Dominic Zero says: "I actually lost interest in Alias after Season 1 largely because for a hard-nosed uber-agent working undercover she seemed to spend an awful lot of the time crying and getting upset. Either that or she was in jeans and a tee shirt the whole time once her contract had been renewed and I no was longer fished in. Everyone knows female undercover agents have to dress up as either prostitutes or pole dancers or goths at least half the time. Just ask Heather Locklear."
El Duderino says: "Actually if I ran an undercover espionage agency I would only hire hot chicks and dress them in rubber and lingerie. I mean it makes fucking sense, innit? Then I'd pray to god all the targets hung out at fetish parties. They'd really stand out in Safeway."
I say: "Everyone knows they do. It comes with the territory. To end up in that line of work you have to take pleasure in role-play, dressing up in uniforms (sometimes cross-dressing), and knowing there is a serious threat of torture around every corner. How could you end up in that career if you weren't a fetishist? It just make sense."
Can India's most powerful black magician follow through with his assertion that he can kill a person within three-minutes using powerful black magic? An atheist volunteer proved otherwise.
Sounds like something that the US Military psy-corp should be considering.
When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.
The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
Any sufficiently advanced technology is indistinguishable from magic.
Robot Ninja Dinosaur Bastards - Come and Get Demented with the Dino Bastards (Wrong Music)
Bernard Cribbins - Gossip Calypso
Datach'i - I'm Not Afraid To Watch You Die (Planet Mu)
Frog Pocket - Heavy Grunts (Planet Mu)
Jimmy Soul - If You Want To Be Happy For The Rest of Your Life
Bogdan Raczynski - Lowlands (Rephlex)
Portishead - Machine Gun (ATP bootleg)
The Tuss - Shiz Ko E (Rephlex)
Lily Allen - Smile (acoustic)
Hot Roddy - Crust Mantle Hell (Wrong Music)
Phthalocyanine - Breakfast Beer (Planet Mu)
DJ Lumpy's Penis Song (title not known)
I was feeling ill for this one so it's a bit more downbeat this month. Sorry to Chris Cook (Hot Roddy) who I couldn't remember what other artist name he went by, as his Same Actor work eluded me temporarily.)
WoBcast Unplugged - The return of the West of Bastard podcasts with DJ Lumpy, Andrewherring and Juxtaposeur. Worth the download for The Bony King of Nowhere from Bagpuss, Maypole (the oldest song in the English language, as heard in the Wicker Man soundtrack) and Destroying Something Beautiful's beautifully fragile acoustic version of Word Up.
CERN Poscast Thanks to Bristle for pointing this out in the comments to the previous post. A chat-show style podcast of people visiting the CERN Large Hadron Collider in Switzerland, including the likes of Dean of Guildford Cathedral the Very Reverend Victor Stock, comedians Kevin Eldon and Simon Munnery, and Torchwood / Shark Attack 3: Megalodon star John Barrowman. I think this is about as internet as it gets. Even the greatest of the surrealists never dreamt of shit like this.
If you're interested in what's going on with Addict Records (as I mentioned in the Goatlab radio show) have a listen to Meatsock's interviews with Dan Doormouse [70MB MP3] and Billy Stunt Rock [51MB MP] he recorded for the whus.org show.
NL35 - X&Trick - Planes, Trains and Highways X&Trick on top form presenting his unique blend of Drum ‘n’ Bass, Industrial, Hardcore and Breakcore with plenty of fantastically obscure noises, thick bass and dischordant synths. Introduced by a collaborative track with Chevron, “Brighton”, each track on the release is recorded in a different location around the world and named accordingly. Dark, hard hitting and at times definitely summarising the euro/belgium scene, the release is also quite diverse, with the more melodic starting track through to “Dubai”, which is reminiscent of an Evol Intent / Current Value style dark drum and bass, and then completed by the pounding techno of “Gent”
NL36 - Mully - Dalston 2066 A collection of delicate pieces constrasting Mully’s previously heard style of work, each track an amalgamation of flowing melody, micro-beats, and ambience. Many of the tracks have a warm, contemplative feel, though also with a melancholy vibe throughout. “Icelandia” and “Beach” are definite first listen favorites, with tracks like “She Will Lose” that take a few more listens to really appreciate.
:: Thursday, December 13, 2007 :: Security Pantomime
Charlie Stross on underground security:
The solution to protecting the London Underground from terrorist suicide bombers can be summed up in one word: Daleks. One Dalek per tube platform, behind a door at the end. Fit them with cameras and remote controls and run them from Ken Livingstone's office. Any sign of terrorism on the platform? Whoosh! The doors open and the Dalek comes out, shrieking "exterminate!" in a demented rasp reminiscent of Michael Howard during his tenure as Home Secretary, only less merciful.
The British are trained from birth to know the two tactics for surviving a Dalek attack; run up the stairs (or escalator), or hide behind the sofa. There are no sofas in the underground, but there are plenty of escalators. Switch them to run upwards when the Dalek is out, and you can clear a platform in seconds.
Suicide bombers are by definition Un-British, and will therefore be unable to pass a citizenship test, much less deal with the Menace from Skaro. And as for motivating the Daleks, one need only mention that the current crop of would-be British suicide bombers are doctors ...
J. Craig Venter Geneticist "The movie has an underlying assumption that I just don't relate to: that people want a slave class. As I imagine the potential of engineering the human genome, I think, wouldn't it be nice if we could have 10 times the cognitive capabilities we do have? But people ask me whether I could engineer a stupid person to work as a servant. I've gotten letters from guys in prison asking me to engineer women they could keep in their cell. I don't see us, as a society, doing that."
Doesn't this miss the entire point of the story. I don't think Dick ever intended any of his novels to be accurate representation of the future. He only wrote science-fiction because it was the only medium through which he could get his ideas published. The story is actually about the philosophical arguments about what is human.
From wikipedia: Dick's inspiration for the central plot point involving androids which are indistinguishable from humans came from specific factors in his own life experience. First and foremost, he could not accept that the people who committed atrocities such as the Holocaust during World War II were truly human. He felt that they must be inhuman monsters who merely appeared to be human. While this was initially a figurative philosophical concept, Dick was a user of amphetamine, which he used to fuel his writing. As a result, he developed a high level of paranoia, and his notion about people appearing to be human when they were not became more literal.[citation needed]
Admittedly this is exactly the type of uncited reference that makes wikipedia unreliable, but having read it matches my understanding of it of the point he was trying to make.
Sci-Fi that tries to accurately predict the future is often boring. [cf. most Arthur C. Clark] Sci-Fi that asks 'what if?' is what is really interesting. The what if doesn’t have to be plausible, it's just a platform. It allows analysis of current thinking, be it scientific, philosophical, political, religious etc, from an outsiders point of view. That’s what makes it interesting as a medium.
dev.null quotes the Boston Globe's article on steampunk. Well worth a read if you're into moddified hardware or any of the science-fiction that inspires it (Verne, Wells, Gibson, Sterling, Stevenson etc.). Make sure you check the pictures, otherwise you'll just get the impression that all these people do it make up ridiculous names for things (eg "The Nagy Magical-Movable-Type Pixello-Dynamotronic Computational Engine") [login required on the BG site, some photos on Flickr here].